Tuesday, November 7, 2017

5th Edition Dungeons & Dragons: The Action Economy "Problem" Phantom

Blah blah, haven't posted in forever because of real life stuff, etc. etc.

I recently started following a bunch of D&D subreddits (because I'm clearly an old man in this digital age), and a "problem" with 5th edition that I have seen discussed on multiple occasions is the action economy.

The first place I heard it spoken of was on Matt Colville's Youtube channel, in this hour long video, I think.

Colville didn't say it was a "problem" so much as he simply made an observation: 5th Edition D&D math stacks the odds in the PC's favor when it comes to single-opponent boss fights, especially later on in the levels.

Essentially, what makes the difference in 5E combat is how many opportunities each side has to act. Single, powerful monsters have a comparatively limited number of actions to do each round when fighting a party of PCs. Even with the "legendary action/resistance" powers available to the truly dangerous enemies, their ability to capitalize on any advantages in the flow of combat are cut short by the sheer number of PCs that get turns in between each true action the enemy can do.

So let's say you, the DM controlling a dragon, really smash one of the characters with a critical hit. That character is now close to dead...

In the early levels of the game, one of the PCs would have needed to spend their entire turn healing the characters to make sure they survived. This means the dragon is effectively facing one fewer enemies this round. Do that every round and the PCs have a dire situation on their hands.

But in the later levels of the game, the party can save that PC using only bonus actions (namely Healing Word). So even with the same level of damage output, the monster in this circumstance has a much lower chance of winning a straight fight because it is (effectively) fighting an extra PC every round.

The legendary actions allow the DM, in this case, to have the dragon do a tail swipe or some such attack out of turn to try and further complicate that PC's life and, hopefully, take a PC out of the fight temporarily to relieve some of the pressure.

But there are other ways to slow down the PC's action economy. Here are a bunch, briefly listed:

  • A flying creature battles the PCs on a crumbling mountain side. Random PCs must Dex save each round or slide down 10ft. The monster regularly tries buffetting the PCs off balance to inflict falling damage.
  • A hyper intelligent enemy has an ever-shifting rubiks-cube-esque boss chamber that it can command to move with a thought. Every round the PCs are slid into walls or each other, out of formation and into spell areas, etc.
  • The BBEG runs away, with the intent of being chased, to lure the party into a secondary trap/encounter/difficult terrain, etc.
  • The bad guy is rather alchemically inclined, and throws tanglefoot bags and alchemists fire and acid vials as bonus actions.
  • The BBEG has a dancing weapon that they reveal in the second round of the fight. Now there are two sources of attacks each round.
  • The evil wizard casts polymorph on his familiar in the first round of combat and makes it into a crazy monster.
  • The fight occurs in a room full of portals that interconnect. Run into one and you pop out of another. Only the BBEG knows which one leads where.
  • Your smaller evil guys can stealth! If they hide behind a tree, they can move away and attack again from a better vantage point.
  • Make use of semi-permanent choke points. The bad guy leads the party into a tight alleyway, but faster and athletic characters can take a different side street or climb up a building's siding. Either way, it distracts certain PCs for a round or two.
  • The fight occurs in the swamp, which is waist-high water (difficult terrain for medium creatures, swimming only for small ones) that doesn't slow down the BBEG cuz he lives here.
  • Start the fight with the PCs in a hole or down a level or two from the bad guy. Let the BBEG shoot magic or arrows or bombs down at them as they climb for the first couple rounds.
  • Big enemies grab PCs. They grab them all the time and throw them into other PCs. They use PCs like makeshift clubs, or toss them into spiked pits or out windows, etc.
  • Make the point of the fight to stop a ritual or destroy an item, so that if the PCs focus completely on dealing damage to the monster they will fail the main goal.
You get the drift. Change the playing field every round. Keep the PC's on their toes. The monster rules will not give you everything the villain should have at their disposal. If your PCs are using crazy ideas and tactics, your villains should too.

And ultimately, the easiest way to make sure that your PCs don't trounce a big baddie because they get waaaaaay more actions each round is to add more enemies. Evil duos are awesome. Evil leaders (bard, clerics, etc.) with a small battalion of mooks are awesome. A wizard with a golem for protection and a pet chimera makes sense, and makes for crazy combat.

The books have the rules in them, but the real challenges you present to your players can't be found in the books. The challenge is in the way you design the fight and force your players to shift gears multiple times before it's over. 

Friday, March 31, 2017

Where is the Drama?

Simple post this time around: death rules and how they relate to what people believe about the game.

If you play with instant death at 0 HP ("Save-or-die" effects would fall in this category too), then you believe the drama occurs in two places:

  1. Before the fatal blow is struck, and...
  2. After the character has died (e.g. What do we do now that party member X is dead? Can we resurrect him? Should we? etc.)
If you play with death or stabilize at 0 HP (or less), then your system splits the drama into 3 categories:
  1. Before the potentially fatal blow is struck, and...
  2. In the moment a character could stabilize or die, and...
  3. After the character is dead
If you play with unconscious at 0 HP with follow-up death or stabilize check, you add a fourth category:
  1. Before the potentially fatal blow is struck, and...
  2. In the round the allies have to potentially save the character, and...
  3. In the moment a character could stabilize or die, and...
  4. After the character is dead
If you play with unconscious at 0 HP with 3 follow-up death or stabilize checks, you add a two more categories:
  1. Before the potentially fatal blow is struck, and...
  2. In the first round the allies have to potentially save the character, and...
  3. In the second round the allies have to potentially save the character, and...
  4. In the third round the allies have to potentially save the character, and...
  5. In the moment a character could stabilize or die, and...
  6. After the character is dead
If you play with unconscious at 0 HP with bleeding-out/negative death totals, you add an indeterminate number of categories:
  1. Before the potentially fatal blow is struck, and...
  2. In the first round the allies have to potentially save the character, and...
  3. ...
  4. ...
  5. ...
  6. ...
  7. ...
  8. After the character is dead
What's the point of extrapolating this?

My theory is that there is only so much drama a narrative/game can contain. A good session builds drama and then dissipates it, ebbs and flows, so to speak. Without clear and concise climaxes, the drama gets spread too thin. Players can only keep their feeling of excitement going for so long. If your character takes five rounds to finally kick the bucket or get back up, it isn't dramatic anymore. It also sucks the drama out of actually hitting 0 HP, because you are still multiple rounds away from a verdict on your character's fate.

The faster the rules allow you to resolve something, the more the drama is pointed and powerful. If the situation calls for a little gray area between an event and its resolution, that can be ruled on ad hoc. Adding all the extra layers between life and death a priori takes away from the immediacy and the danger.

"But I don't want my games to be that deadly!" You say.

Easy. Give your players more healing potions.

Extending the moment between life and death robs it of it's power.

Saturday, March 4, 2017

Disappointing Combat in D&D

SPOILER ALERT: I'm writing this while watching the newest episode of Critical Role (ep. 88). If you don't want to have minor combat details ruined for you, wait to read this until you've seen the episode.

Read at your own peril.
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In this episode, the party engages in an underwater battle with a kraken. The setup is short but sweet, and then, as much D&D combat is want to do, the play slows to a crawl as soon as initiative is rolled.

Now, given that this is all submerged, I understand slower movement speed. But that's not what is going on here. Each player's turn takes one of two forms:

1) excruciatingly long because they are trying to figure out how the rules apply to the unique circumstances.

2) breathlessly short because they are grappled and fail to escape.

The short turns are effectively not turns at all, they are just more pauses in the action. Here is an example of an excruciating turn: Grog is swallowed by the kraken and he is blinded, restrained, and slowly burning in acid. When it comes to his turn, he doesn't have anything to do but "swing his weapon" to deal damage to the kraken from the inside. Of course, the whole reason he is restrained is because he is being squeezed by the kraken's insides. He doesn't have nearly enough space to swing an axe or hammer, but because the rules tell him he can do nothing else, he is forced to make nondescript attacks that don't reflect the narrative reality at all. Needless to say, the turn is slow and uninteresting.

Worse than that, it's how you are supposed to escape. If you deal enough damage to the kraken from the inside, you might get puked out. But as we've already established, that makes little to no sense. Like I've said before on this blog, if there is a rule for how to do something, people are much more likely to use the rule rather than make something up, even if the rule is lame. We think within the box most of the time.

I can't think of an opportunity for more dynamic and exciting play than when a player in swallowed whole by a huge creature. Unfortunately, that's not what happened on that turn or the next. It took an incredible leap of logic by Grog's player to pull out his magic jug that makes oil. Then, when Keyleth the druid is also swallowed immediately after, the big risk of setting off a fireball and purposefully igniting the oil in the jug pumped life back into the encounter. The kraken pukes them back up and the real battle begins.

About an hour later, the real battle has ground to a halt again (before the actual encounter ends) and it becomes a game of how to escape through a portal when everyone keeps getting grabbed and restrained by the kraken. The party's goal is to leave without killing the beast, but it's "stickiness" and the underwater environment make this goal extremely difficult. After several rounds of the party trying to break free and getting pulled back, Vax the rogue is swallowed while unconscious.

This is followed by another grueling turn for poor Keyleth who is barely able to keep the all the alter-self, animal shapes, and druid beast-shapes straight.

The issue here is not Critical Role, the players, or the DM. It's the rules. The rules are designed in such a way as to punish any "get-in-get-out" encounters. Every enemy is sticky in D&D, and the kraken is the king of sticky things. It has two average parties-worth of tentacles which auto-grab and restrain after dealing damage on a hit. The party members that are restrained lose approximately a third to a quarter of all their actions during the fight. They just fail their escape rolls and do nothing. That's not even counting the swallow ability, which is essentially a nigh-inescapable grapple.

It's painful to watch the party members on screen look utterly exhausted by their lack of options. The combat ends in an intense way, but that's all thanks to the roleplaying and DMing that are superb. They were succeeding in entertaining themselves (and us viewers) in spite of the rules, rather than with them.

I haven't thought about D&D from a design standpoint in a while, but these same issues are always on my mind when I do. There's got to be a better paradigm for handling combats like this, where everything devolves into repetition of two or three optimal actions until math saves the day for one side or the other.

Tuesday, November 29, 2016

New Spell: Prognostis


Prognostis

By weaving the magics of time and consciousness around himself, the sorcerer sees into the future a short distance.

The GM narrates some vague and "just off-screen" moments in the session's immediate future. After that narration, the player rolls six d20s, reveals them only to the GM, and chooses one of the results. Then, the GM chooses one of the results. Alternate choosing until the player and GM both have three results.

The next three d20 rolls that would be made by the PCs are replaced by the player's chosen results (the player chooses which result to use and when, each only being used once). Likewise, the next three d20 rolls made by an NPC or monster are replaced by the GM's chosen results, in the order he/she chooses.
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The idea with this spell is that the caster gets a flash of immediately subsequent events. A couple rounds of combat, or a minute of exploration. The GM could reasonably give the caster some info about the future of the game session without revealing too much.

If there is a falling scythe trap ahead, the sorcerer could envision the party rogue sliced in half just up the hallway. If a monster is going to ambush the party, the caster could witness the moment through the creature's eyes, so the party knows where the creature is coming from, but not what it is.

The dice results part of the spell is meant to simulate a moment in which the player knows what can happen, but not exactly what will happen, especially considering that each choice they make, and that the NPCs and monsters make in response, changes what is possible for the remainder of the spell's effect.

I think this spell should be a level 6 spell. Just a feeling.

The origin for this spell idea is that all future-seeing spells in D&D suck. At level 9, you get BS like Foresight, which gives you narrative advantages, but virtually no mathematical effect (+2 AC and Reflex? Come on....).

Sunday, November 13, 2016

D&D Classes without Math: Magic-user

Source
Wizard, Magic-user, arcanist, etc. It is a staple of D&D, and perhaps the single most interesting class, based solely on their capabilities. Spells are essentially the only common thread (mechanically speaking) through all the iterations of D&D, and wizards are the undisputed masters of spells.

But what does that mean when you take out the math?

Well, that question has perplexed me for months. This post was supposed to go out with the rest of the "without Math" posts. Clearly, it did not...

Because I can't really say what a math-less magic-user would look like. It has a kind of backwards quality about it that the other classes do not. Every fighter can do the same things, as far as the game is concerned. The details about how they do it, i.e. what weapons they use, how much armor they wear, whether they focus on Dexterity or Strength...none of it really matters. They are still a fighter because they do fighter stuff. Hit things with weapons, absorb some damage, protect the less combative party members, run into the danger.

But...what is magic-user stuff? Fireball? Magic missile? Scribe Scroll? Reading magic? There is an argument to be made that, yes, that is magic-user stuff. If you can do those things, you are a wizard. But not every magic-user ever learns magic missile or fireball, or how to scribe scrolls, or even how to read magic. As more and more spells are printed, and the boundaries of what magic can and cannot do (and how easily it can or cannot do it) has expanded, we have found that very specific types of casters are now viable. Casters that don't use spellbooks. Casters that even change the very idea of how mortals can access magic.

Also, "fireball" and "protecting the squishy guys" are not the same level of abstraction. "Fireball" would be better described as "AoE damage." "Magic Missile" is best described as "unavoidable magic damage that's cheap." Of the four core classes, none but the magic-user can do those things. But is an illusionist, who knows no damaging spells at all, a magic-user then?

Must we abstract further and higher? Maybe the magic-user is the class that makes sweeping changes to the environment the party is in, either clearing obstructions or creating them. This definition would then include things like knock and illusory terrain, which are yet more staples of the D&D wizard. Looking over the wizard spell list from 3.5, I think this definition is rather complete. But it is so general that it could take any in-game form whatsoever. Wizard, sorcerer, illusionist, evoker, swordmage, abjurer, warlock...even divine casters could fit within this definition comfortably.

And yet, this definition leaves us with nothing but "casts spell" as the 'math-less' portion of a magic-user. Essentially, we're back where we started.

We don't want to have to write up all these different classes, because we would never be done. If we want to be able to write up a coherent set of rules for all magic-users (math-free, of course), we have two options:

1. Make it wizards only. If you can cast arcane spells without a spellbook, it's because you are a monster or demon or dragon and not a PC. Humanoid races have only one way to learn and use magic, and that's spells and spellbooks. If you take D&D as written, remove every non-wizard arcane casting class, you have this system. There is still a lot of room here. Every type of wizard specialist is available. Spell selection is wide open and creates meaningful differences between all wizards.

OR

2. Make it up as it becomes relevant. Have no written rules in your system for spells and magic. Instead, make magic entirely an in-game discovery and learning process. If you want to have the PCs fight a dark mage, write up the basics of how that guy knows/can use magic. This could be any micro-system of your choosing. The most obvious is a spellbook with a finite number of spells. What system you use to prevent characters from casting these spells endlessly each day is up to you. Then, if the PCs decide to investigate this dude's magic (presumably after turning him into a fresh corpse), they can pursue it, and you'll know exactly how it works and how powerful it is.

Wednesday, September 14, 2016

Why the ranger class sucks these days...

To understand the fall of the modern ranger, it is helpful to study the rise of the modern bard. When I first started playing RPGs over a decade ago, the bard looked like this:

Now I first want to say that I mean no disrespect to the artist that worked hard on this piece. I think it is a great piece of art, but a bard this is not. The musical instrument is a hardly visible afterthought (he's wearing a lute on his back) and his outfit doesn't scream "storyteller" or "poet" but rather "rogue" or "eccentric."

And this perfectly describes the bard class (D&D 3E) that this picture was used to represent: a mixed bag of uncertain purpose. It has middling attack bonuses, a middling spellcasting ability, mediocre spell selection, and its class-specific features were so situational and odd as to be laughable.

Hence, this comical representation of the bard throughout 3rd edition's reign.

But now! NOW the bard looks like THIS:

Holy moly! Look at that badass fantasy character! A sweet guitar that sticks out like a sore thumb (in the best way) the subtle wood flute hanging around the neck, the lack of any weapons or aggressive garb. This bard is something unique unto itself. The colors are bright and stylish. Even the character's haircut is edgy and cool. This is a socialite. This is a world-traveler.

And just like the picture, the 5e bard is the king of classes. Highly versatile, interesting, and competent. A skilled magic-user, a healer, and combatant, and even a battlefield inspiration.

It is admittedly a bit overpowered, but at least it's playable in an unironic way.

So what has the ranger done in this same timeframe?

Well, the first ranger I ever saw in a D&D book looked like this:

This is someone I can picture roaming the wilderness for months on end. The armor might be a little overdone, but it also looks rugged and that is important. The weapons are sharp and deadly, there are torches on his back next to his bow, and he is wearing a green, elvish-camouflage cape. He's ready to face the wilds. And he even looks like he has, given his bronzed skin tone (for an elf).

This 3rd edition ranger was not as playable as it seemed, but it was playable nonetheless. Favored Enemy is a very tricky feature to make work in a standard D&D campaign, and that was the main draw of the class. Worst case scenario: your 3E ranger had the high attack bonuses, decent hit points, some fun combat perks to start with, and nice skill points and spells to fill out the weaker areas of the character. If your party needed to track anything, or survive in the wilds, you needed a ranger, no question.

What about the ranger now? Well........


She's either a drow, or a purple elf. Neither of those scream "wanderer of the forests" to me like the tanned elf from before. She is also wearing a bright blue cape and puffy white sleeves. Not exactly camouflage. 

Something tells me that this piece was just supposed to be a warrior-type drow, and when time came to put a ranger picture in the 5e Player's Handbook, somebody grabbed this one, drew a bird onto the bow, and called it a day. Not cool.

And worst of all, the 5e ranger is by-far the least popular class. Only three skills? Someone that survives on their own in the wild with no help only gets three skills from their class? Favored Enemy gets nerfed, even though it was already mediocre at best. And don't even get me started on the current state of the animal companion... what a joke. It's so unpopular, in fact, that WOTC has made it a point to update it completely. Are the updates enough? Eh. I'm on the fence.

The Upswing

So what is wrong with the ranger? Why does it blow nowadays? Why is it "weak"?

Because it doesn't do anything. Sure, it can do all the normal character stuff fine. In fact, it can do all the normal character stuff (moving, hiding, fighting, seeing, hearing, etc.) more reliably than any other class. Move through brambles unhindered, fight invisible things, not lose its way in the woods, etc.

But those things aren't exciting. If a rogue could only hide, and not sneak attack, it would suck (by modern standards). Well, the ranger is exactly that. Sure, he or she can run through a field of pricker bushes without getting slowed down or hurt, but once on the other side of the field, they will put you to sleep with their lack of unique proactive choices.

Doing things was the focus of my Ranger Class without Math from a few months back. If you don't wanna read that through, here is the lowdown.

I give them two major weapon choices in combat: bows and knives. They get to choose whether to engage from afar or close up in each fight, not as a one-time character feature. No more melee OR ranged rangers. Each ranger is both.

I give them an awesome and totally independent animal companion to control, which is just one more sweet and proactive choice they get to make each turn. Every ranger gets one.

I give them the ability to make natural traps, and search for natural traps. Boom. Interesting choices in non-combat time other than tracking.

I give them herbalism and bush medicine to make them healers because if rangers don't know that isht then they die all alone in the woods. Just makes sense, and is uber useful for the party.

See how easy that is? But just like the bard became more capable and proactive between 3rd and 5th editions, the ranger fell from grace. How ironic that the tracker and wayfinder class has lost its way.

But hey, now you know how to fix it.

Saturday, August 27, 2016

That Bard's Got SOUL!

Boy, it's been a long time since I posted. Better put some super useful and groundbreaking content on here to make up for that.

Fact: I'm tired of lutes and panpipes being the tavern background music. So, here we go:
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Soulful Bard's playlist - Roll them d20s and hit play!

Note: Songs have no lyrics mentioning post-medieval technology.


1. You Were Never Mine (Cover) - Janiva Magness


2. The Midnight Hour - Wilson Pickett


3. In the Still of the Night - The Five Satins


4. Try a Little Tenderness - Otis Redding


5. Don't Leave Me This Way - Thelma Houston


6. California Dreamin' (Instrumental) - Baby Huey [TURN YOUR VOLUME DOWN]


7. Moanin' - Charles Mingus


8. I Hear the Angels Singing - Eric Bibb


9. Sherry Baby - Frankie Valli & The Four Seasons [Note: Mentions "twist party"]




10. Unchained Melody - The Righteous Brothers



11. This Magic Moment - Ben E King and The Drifters



12. Can't Take My Eyes Off of You - Frankie Valli



13. What's Love Got to Do With It? - Tina Turner



14. Runaround Sue - Dion



15. Duke of Earl - Gene Chandler [Note: this one is particularly appropriate for medieval settings.]



16. The Great Pretender - The Platters



17. Chain Gang - Sam Cooke



18. Natural Woman - Aretha Franklin



19. When a Man Loves a Woman - Percy Sledge



20. I Wish It Would Rain - The Temptations